Diane Victor, Outrider, 2009.  R28000.00

Diane Victor, Outrider, 2009. R28000.00

Diane Victor, Outrider, 2009. Mixed media on original Taalatlas paper, 500 x 565mm. Unique work. Signed. Archivally framed in white floating frame.

Provenance: Fried Contemporary Art Gallery in 2009.




    Born in Witbank, South Africa, 1964. BA(FA), University of the Witwatersrand. Major in Printmaking. Victor is a part-time lecturer in drawing and printmaking at the University of Pretoria. Part time teaching at various intuitions including: Tshwane University of technology, Open Window Academy, Vaal Triangle (VUT), University of the Witwatersrand, Rhodes University, Stellenbosh University, Unisa and University of Johannesburg (UJ). Her work is in numerous public and private collections.



    2014   Nomad Bodies, curated by Elfriede Dreyer. Wintertion gallery, Royal Academy of Fine Arts, Artesis University College, Antwerp

    2013   No Country for Old Women. Absa KKNK Oudtshoorn, Festival artist

    2012   Ashes to Ashes and Smoke to Dust. Solo exhibition – University of Johannesburg (UJ) Art Gallery; Terra incognito, Fried Contemporary, Pretoria; Fables and Folly – Faulconer Gallery, Grinnell College, Iowa, USA;  Contemporary prints from South Africa, Museum of Modern Art (MOMA), New York, USA; The butcher, the undertaker and the dealer, Absa KKNK Oudtshoorn; Brief lives, Halls abattoir; Innibos Nelspruit civic centre. Festival artist; Collateral: printmaking as social commentary, Gus Fisher Gallery, University of Auckland, New Zealand; 12th Print and Drawing Biennial – R.O.C. Taiwan; Krakow Print Trienalle – Krakow, Poland



    2012: KykNET Fiesta award. Beste prestasie in visuele kuns vir Innibos Feeskunstenaar & KKNK Uitstallings.

    2011: Festival artist - Innibos arts festival Nelspruit.

    2011: Herrie Kanna award at ABSA KKNK.

    2010: CCP printmaking residency – Connecticut, USA.

    2009: Festival artist – Aardklop, Potchestroom.

    2006: Statutory award of MTG - Krakow Print Triennial. Krakow Poland.



    In previous works, Diane Victor has often engaged with notions of threat, horror, the unseen, the hidden and the ‘buried’. In other works since the 1980s, she has expressed critique of apartheid but of post-apartheid conditions, and in The Second Coming presents critical views on the threat of Chinese global invasion and economic expansion into many countries, also into Africa. Victor has never comprised and continues to address potent subject matter, albeit disturbing or taboo in nature.



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